Manifesto

The EPRIS declaration on meaningful modernity, cultural accessibility and independent editorial practice.

Latest articles

Sandra Kantanen: Beyond the Lens of Traditional Photography — Finnish artist Sandra Kantanen approaches photography as a gateway to the imagined, rather than a tool for capturing objective reality. Her
Emily Kraus: Rhythm of the Moment — Inside the Canvas Cube, Emily Kraus Paints the Rhythm of the Present Moment
Against the Right Angle — Five buildings that talked their way out of the grid – and the software, the metal, the money and the sheer nerve it took to build them.
Polish Design: Woven From Memory — How does the sensetivity of Polish designers towards cultural heritage shape the design scene
Tadao Ando — Architecture beneath the tangible
Art that makes you smile — I believe that when you introduce playful objects into an environment, it expands the boundaries of the mind. It gives you non-verbal permis
Five Rooms, One Signature — A dalmatian dot, a slab of burl, three portraits of the same painted dog, and one small cone that keeps reappearing where you least expect i
The Sacred Spring: A Portrait of the Vienna Secession — In 1897 a handful of Viennese artists walked out on the establishment, raised a white temple crowned with a dome of gilded leaves, and decla
The Heart of EPRIS: Maria Is Now a Bachelor of Architecture — On July 7th, Mariia Ivanova, EPRIS's editor-in-chief, officially became a Bachelor of Architecture. To mark the day – a heart built from the
The Threshold of Time — Door restoration is an act of archaeological tenderness. From the carved portals of Tbilisi to Ghiberti's Gates of Paradise – a journey thro
Home Away From Home — A pied-à-terre always catches the irreplaceable light in your eyes, but it can also spark them.
Rooms That Watch You Back — Glass once promised freedom, honesty and light. Then the walls learned to collect data. An essay on transparent architecture, controlled vis
In Conversation with Chora Practice: — Founders of a Lisbon-based decor studio on the art of listening to your inner self, importance of resilience and favorite places in the city
Where We Meet Ourselves - interview with Keisuke Azuma — Artist Keisuke Azuma on washing paint back off the canvas, the Japanese aesthetics of shadow and emptiness behind his work, and why art has
Museo Nivola: A Museum, a Village and the Memory They Share — Costantino Nivola left a Sardinian village of masons for New York, worked with Le Corbusier, Sert and Saarinen, and never stopped coming bac
Souv: The Souvenir That Doesn't Forget — Matej Petrić and Antonio Šeparović on turning an ordinary fridge magnet into the entrance to a traveler's own photos, why nobody actually wa
Nick Dahlen - A Contemporary Take on Modernism — An artist who transforms the beauty of everyday life into striking illustrations within his own visual world.
Soft Modernism: Bryn and Ellefsen's Physics Building at Blindern — They won the competition with a Roman temple, went to look at what Europe was building, and came home to strip their own drawing bare. What
Where the Warmth Lives: How Two Traditions Measured the Turn from Summer to Autumn — Autumn does not make the light warmer. Measured region by region, two canvases of the same field show the sky staying where it was while the
The Picture Is Finished Before the Shutter - interview with Roland M Schwerdtfeger — Architectural photographer Roland M Schwerdtfeger on planning a picture until it is finished before the camera comes up, the single coloured
Neobarocco: Five Buildings That Confess What They Want You to Believe — No seventeenth-century architect ever had to build a case for absolute power. The power was already absolute, and the architecture only had
Built to a Score: Three Buildings Where Music Wrote the Architecture — Most buildings host music: a stage, walls, a program, good acoustics. A handful of buildings do something stranger, and let a piece of music
The Seam That Isn't There: Anish Kapoor's Cloud Gate — Anish Kapoor's Cloud Gate has no front, no seam and, its maker insists, no fixed subject beyond the skyline and the crowd currently caught i
Abbie Downey: Collected, Not Coordinated — The founder of Feather&Fossil on visual rhythm, the difference between layered and chaotic, and why a home should read as continued rather t
Eighteen Inches of Sky: The Interiors of the World Trade Center — Twenty five years on, the towers are remembered as a silhouette. Inside they were three buildings stacked on each other, a lobby seventy fou